Pages

Showing posts with label Some Great Indian Works. Show all posts
Showing posts with label Some Great Indian Works. Show all posts

Tuesday, January 4, 2011

Upanishads

The Upanishads are philosophical texts of the Hindu religion. More than 200 are known, of which the first dozen or so, the oldest and most important, are variously referred to as the principal, main (mukhya) or old Upanishads.

The oldest of these, the Brihadaranyaka, Jaiminiya Upanisadbrahmana and the Chandogya Upanishads, were composed during the pre-Buddhist era of India, while the Taittiriya, Aitareya and Kausitaki, which allegedly show Buddhist influence, must have been composed after the 5th century BC.
The remainder of the mukhya Upanishads are dated to the last few centuries BC. New Upanishads were still composed in the medieval and early modern period: discoveries of newer Upanishads were being reported as late as 1926. One, the Muktikā Upanishad, predates 1656 and contains a list of 108 canonical Upanishads, including itself as the last.

However, several texts under the title of "Upanishads" originated right up to the first half of the 20th century, some of which did not deal with subjects of Vedic philosophy. The newer Upanishads are known to be imitations of the mukhya Upanishads.

The Upanishads have been attributed to several authors: Yajnavalkya and Uddalaka Aruni feature prominently in the early Upanishads. Other important writers include Shvetaketu, Shandilya, Aitareya, Pippalada and Sanatkumara. Important women discussants include Yajnavalkya's wife Maitreyi, and Gargi.

Dara Shikoh, son of the Mughal emperor Shah Jahan, translated 50 Upanishads into Persian in 1657. The first written English translation came in 1805 from Colebrook, who was aware of 170 Upanishads. Sadhale's catalog from 1985, the Upaniṣad-vākya-mahā-kośa, lists 223 Upanishads. The Upanishads are mostly the concluding part of the Brahmanas and in the Aranyakas.


The basic teachings of the Upanishads are summed up in six great sayings (Mahavakyas). These are :-

"I am Brahman" (Aham Brahmasmi) :-
This states the identity of the inmost consciousness of the individual with that of the supreme Divine. The ultimate truth of Vedic knowledge is not that some great savior is God or the Lord or that such and such a God or name and form of God is the supreme. It is not the worship of a person, book, image or idea. It is not even the worship of God. The Upanishads say that whatever we worship as truth apart from ourselves destroys us. They teach that our own Self is the true Divinity, that it is the presence of the absolute within our heart and all the universe.

"The Self is Brahman" (Ayam Atma Brahma) :-
This also states the identity of the soul with the Absolute but in a more objective and less direct manner. Not only is our Self the Divine. It is the same Self in all beings that is the same Absolute truth.

"That thou art" (Tat tvam asi) :-
Whatever we see or think about we are that. Not only is the I That, the You is also That. We are that ultimate I and Thou in all. The consciousness in the other is also the Divine.

"Intelligence is Brahman" (Prajnanam Brahma) :-
Our discernment of truth is the truth itself. It indicates that the Divine intelligence is present within us and has the power to return us to the Divine. Our inmost intelligence is that supreme intelligence through which we can merge into the Absolute.

"The Universe is Brahman" (Sarvam Khalvidam Brahma) :-
The entire universe is the Divine, which includes our self. The Divine is not only the consciousness principle in you and I, it is also the being principle in all things. It is the ultimate object as well as the inmost subject in all beings. It is one and all and all in one.

"He am I" (So'ham) :- This shows the identity of the self with the Divine Lord inherent within the natural movement of our breath. "So" is the natural sound of inhalation, "ham" of exhalation.

These are statements of the identity of the individual consciousness with the Absolute or Divine reality. They all derive from and merge into Om (AUM), the Divine Word of "I am all".

Vedas


Overview :-
The Vedas are the ancient scriptures or revelation (Shruti) of the Hindu teachings. They manifest the Divine Word in human speech. They reflect into human language the language of the Gods, the Divine powers that have created us and which rule over us.

There are four Vedas, each consisting of four parts. The primary portion is the mantra or hymn section (samhita). To this are appended ritualistic teachings (brahmana) and theological sections (aranyaka). Finally philosophical sections (upanishads) are included. The hymn sections are the oldest. The others were added at a later date and each explains some aspect of the hymns or follows one line of interpreting them.

The Vedas were compiled around the time of Krishna (c. 3500 B.C.), and even at that time were hardly understood. Hence they are very ancient and only in recent times has their spiritual import, like that of the other mystery teachings of the ancient world, begun to be rediscovered or appreciated even in India. Like the Egyptian teachings they are veiled, symbolic and subtle and require a special vision to understand and use properly.

The great compiler of the Veda and Puranas was Vyasa Krishna Dwaipayana. He was said to be the twenty-eighth of the Vyasas or compilers of Vedic knowledge. He was somewhat older than the Avatar Krishna and his work continued after the death of Krishna. Perhaps he is symbolic of a whole Vedic school which flourished at that time, as many such Vedic schools were once prominent all over India and in some places beyond.

The story goes back a long time. It starts in 1200BC, when the first Aryan immigrants in India started composing the various hymns that are part of the books. They were meant to be mantras (incantations) in praise of various Aryan gods. What they also reflect is a startlingly vivid picture of life, as was being led by the Aryans who came to India. Things move along as they trace the settling down of the Aryans in their new habitat and the various changes that invariably happened in their society.

All The Vedas :-
There are four Vedas :-

The Rig-Veda:-
The date for the Rig-Veda was in controversy for a long time. The traditional date goes back to 3000BC, something which the German scholar Max Mueller accepted. However, modern historians have now reached a consensus that its oldest parts were written around a more cautious 1200BC.

As a body of writing, the Rig-Veda (the wisdom of verses) is nothing short of remarkable. It contains 1028 hymns dedicated to thirty-three different gods; these gods were, quite expectedly, nature gods. The most often addressed gods are Indra (rain god; king of heavens), Agni (fire god) and Rudra (storm god; the 'howler'). A sizeable chunk of the verses are also dedicated to Soma (the draught of immortality), which was a cool alcoholic brew made from the leaves of the soma plant and was drunk during sacrifices. The identity of the plant itself is subject of furious debate. In nature, however, it was somewhat similar to the brews that the American Indians used to consume before conducting sacrifices – to numb both the sacrificer and the sacrificee although human sacrifice was never a part of Aryan worship.

This oldest religious text in the world has10,589 verses which are divided into ten mandalas or book-sections. The oldest portions of the Rig-Veda are from books two to seven; the others were added later. The book-sections are arranged according to the number of hymns they possess.

The Sama-Veda:- The Sama-Veda or the wisdom of chants is basically a collection of samans or chants, derived from the eighth and ninth books of the 'original Veda', the Rig-Veda. These were meant for the priests who officiated at the rituals of the soma ceremonies – in full sway there could have as many as seventeen full rituals. As time went along rituals and ceremonies of worship became increasingly intricate and the simplicity of the original Rig-Vedic age was slowly forgotten. Thus a need arose to compile all the rituals and their chants in a book, as a sort of reference point for the priests whose functions this Veda clearly puts down.

It is not surprising that the Sama-Veda is better known for the precise meter of its poetry than for its literary content. There are also painstaking instructions in Sama-Veda about how particular hymns must be sung; this is perhaps because great emphasis was put upon sounds of the words of the mantras and the effect they could have on the environment and the person who pronounced them.

The Yajur-Veda:- The Yajur-Veda or the wisdom of sacrifices lays down various sacred invocations (yajurs) which were chanted by a particular sect of priests called adhvaryu. They performed the sacrificial rites. This is very much a ritual based Veda for although there are a few hymns to various Gods the main stress is on the theory of the ritual. The Veda also outlines various chants which should be sung to pray and pay respects to the various instruments which are involved in the sacrifice.

The Atharva-Veda:- The Atharva-Veda (the wisdom of the Atharvans) is called so because the families of the atharvan sect of the Brahmins have traditionally been credited with the composition of the Vedas. It is a compilation of hymns but lacks the awesome grandeur which makes the Rig-Veda such a breathtaking spiritual experience. It is roughly equivalent to the western magic spells and has incantations for everything – from success in love to the realization of otherworldly ambitions.